Not the Spielberg movie. No, this is the first video from an Australian band with the same name. This super-duo is the collaboration of Luke Steele (The Sleepy Jackson) and Nick Littlemore (PNAU).

The record isn't out in the U.S. yet—who knows if will ever be. We have it, of course, but then again—we're the coolest.



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Monday, November 10, 2008New Crystal Castles Video - "Vanished"

The new video for Crystal Castles' song "Vanished" (our personal favorite) is currently up on Street Carnage. That's the only place you can see it right now, and we have to say it's pretty rad. It was directed by D+T contributor Derrick Beckles, aka Pinky. Here's his press release (and we use that term lightly):

Presenting the debut and only home of the Crystal Castles video for VANISHED directed by PINKY of TV CARNAGE along with the loving involvement of Sir Vernon Chatman. Crystal Castles asked to have a video done without them appearing in it, so we discussed creating something that would involve eerie stupidity that warmed the soul and could possibly be turned into a sitcom or BET comedy special. We arrived at this. A video meticulously rammed together in the last week of May 2008 (including awesome choreography by Megan Kain) and shot at Union Pool in Brooklyn, NY. The video has won some sort of thing in Berlin and is apparently sluttishly embraced by the Europeans. God bless their cotton socks. Special thanks to Ari Fishman of Petite Monster who is the only maniac who can produce this sort of thing at a moments notice. Please to enjoy the video, watch it many times and pass it on.

Click HERE to see the video in full. --SK


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Wednesday, November 5, 2008New Oasis Music Video. "I'm Outta Time"

I've always rooted for these guys. The snootier they got–the more I cheered. Dig Out Your Soul is a good one. Proof below. Welcome back lads.

Oasis - I'm Outta Time



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Tuesday, November 4, 2008Get it?


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Thursday, October 30, 2008Paris for President


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Wednesday, October 22, 2008Interview: Lissy Trullie


Lissy Trullie and her band posed for the fashion feature in our current issue. We shot in New York, some of it outside and got drenched in the process. Nonetheless, the candid portraits (taken by Ray Lego) succinctly captured the band's personality. They are a casual lot-perpetually calm and composed. A few days later with the sun finally overhead, I sat down for a quick bite with Lissy at Lovely Day (her favorite restaurant) and talked about her burgeoning career. How it started and where it's headed. In terms of her sound, what is most remarkable is her sense of melody, which courses through her songs unpredictably with poise. CMJ is upon us. They're playing a bunch of shows. Check them out for yourself! Oh, and if you haven't seen the photos, pick up a copy of Issue 16! Bill Maher is on the cover.

Lissy Trullie, I'm assuming, is not your actual name [Laughs].
No, it's a stage name.

Your real name-
Is Elizabeth though.

When did you start getting involved with music?
We had band at school and I wanted to either play the guitar or the bass, but the older girls grabbed those up quickly. So my choices were the flute or the xylophone. And I was like, Fuck the flute.

Was there something specific that drew you towards music or was is solely related to the course in school?
My father was a crazy record collector. So, as far back as I can remember I've been listening to his record collection. He has thousands. He's been collecting since he was fourteen. That's probably the only real early memory I have of my dad, because my parents were divorced when I was really young.

Were there any artists he recommended?
He was into Brit-pop, fifties rock and roll, but he hated The Beatles for some reason. I think they were too mainstream for him. He was into Herman's Hermits. I used to listen to "Mrs. Brown You've Got A Lovely Daughter."

My dad loved that song too. When did you start writing songs?
I wrote on the xylophone actually. And I remember writing as soon as I figured it out and learned how to play. My mom wasn't very musical. She had three records and one was a Jane Fonda work-out. So there really wasn't an outlet in the house I usually lived in, but I started writing on the xylophone and after begging and begging and begging for a guitar, I finally got one when I was eleven for Christmas and I've been writing ever since.

Were you in bands prior to Lissy Trullie?
I played lead guitar in a band and I had bands in high school, but I was never the singer. I was afraid to sing.

What gave you the courage?
I was writing songs for a friend of mine who has a beautiful voice. When we went to record some of the songs, the guy who was recording us heard me sing when I was showing him the structure of the song. He then asked me to record vocals. I said, "No." He called me up later and told me he didn't think I should be giving away my songs.

What's the song "You Bleed You" about?
It's about a dear friend of mine who was a drug addict. There was a point where she was really sick and was in the hospital and was going to die, but she pulled through. I wrote that song when I thought that was it. She's sober now and doing really well.

You've had a lot of high profile coverage. How did those things happen?
I used to be a model a really long time ago. I still work in fashion as my day job. It's kind of coincidental and really convenient that a lot of my friends run good magazines.

Is that how the shows in France came about?
There was a Repetto party two seasons ago, and they asked The Virgins and Lissy Trullie to play. The Jalouse girls didn't know who we were, but went to go see The Virgins and came up to me after the show. We created a relationship and then ended up playing the shows for the Jalouse Magazine festival.

What do you think is responsible for your following in NYC? Perseverance?
It's been really hard. My biggest obstacle to overcome was the fact that I did work as a model and that's how people knew me. At first people were dismissive. I was a model to make money, that's why I did it. It also helped me get through college. But I've been playing music since I was young. It's been a battle. I've constantly had to prove myself.

Give us examples of some of the more gratuitous criticisms?
People literally bash us on message boards because I DJ at Beatrice Inn. They call me a bitch. I'm not a bitch, I'm just quiet and have a hard time talking to people.

Assuming that's your least favorite-what's your most favorite thing about being in a band?
I love to play.

Live?
I'm really shy and nervous so it's really hard for me to be relaxed on stage. But I love writing and rehearsing. I'm happiest when I'm playing, for sure.

What helps you overcome the stage freight?
Nothing. [Laughs] I think being really confident about my band has taken the edge off. So, now I can relax a little bit on stage and try to talk to the audience. But that hasn't really happened.

There are singers like Jason Lee's character in Almost Famous, who-I'm paraphrasing here, but find the one person not getting off and then in turn, get them off. And then there are those like Dean Wareham, who just play their music. Ultimately, it's circumstantial.
I've seen bands that aren't confident and you feel that right away. The audience knows. If you know the material and you're having fun, maybe even elaborate a little bit, everyone automatically wants to be there with you. I just saw Lykke Li perform and she always amazes me.

Is it true you sang on her record?
Yes.

How did that come about?
Through an A&R person at ATO Records. She knew Bjorn Yttling who produced the record. They were looking for a voice like mine and she suggested me. I was very impressed with what Bjorn and Lykke Li had done together. I love Swedish people. I think I want to move there.


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The Little Ones have had a favorable, albeit tumultuous, career since releasing their Sing Song EP in 2007. Morning Tide, the band's first LP, was originally scheduled for release earlier this year via the EMI owned Astralwerks label. Both labels underwent a serious makeover, dropping employees and bands alike. Fortunately for us pop-fiends, Reyes and Co. have since found a new home for the terrific Morning Tide (released this fall). The record is their attempt "to convey the feeling of eating the perfect California burrito with sour cream and guacamole." Look out Baja Fresh!

What was the discrepancy between the band and the old label? What happened?
The Little Ones were signed to Astralwerks in the U.S. and Heavenly Recordings in Europe around 2006. These two labels are under the EMI umbrella and EMI has gone through several waves of restructuring over the past year and a half. We were an early casualty, and were let go of our contract at the beginning of this year, right before our album was supposed to come out. It was unfortunate because we loved working with Astralwerks and Heavenly. On a positive note, we were given our album back. It also helped that we begged and pleaded. Just kidding.

During the interim, was the record retooled? Did any songs get swapped out or rerecorded?
We decided to change the track listing and sequence of the record from its original configuration. We also decided to mix the record again with Mark Needham for our release on Chop Shop/Atlantic.

I'm sure the process of getting the masters back and finding a new label was a bit harrowing, has it changed your perspective or feeling of the record?
Yes it has totally changed our perception of the record. We consider it a gift and something precious. It's a breath of fresh air now and we are very excited that it is going to see the light of day.

Has the band's sunny disposition faltered through all of this?
To feel rejection is a very painful thing. That was the first reaction we felt when the label situation went tits up. However, a band's self-worth doesn't come with any particular label affiliation. It comes with being a band and playing music together in front of people. Those are the reasons we started the band.

Did your original drummer leave as a result of it?
Greg left the band a couple months prior to us being let go from EMI. Like all relationships there are ups and downs and you can usually work through them. If you are not all on the same page then you have to ask yourself is it better to just move on? We don't want to discredit his contributions to the band in any way. He was a founding member and played wonderfully on our EPs and Morning Tide. For that we will always be grateful.

I don't mean to be focused on the drama, I just wanted to get the story straight. Was there a specific goal, aesthetic or theme that you wanted to convey with it?
We wanted to paint a broad picture musically of the culture we live in here in California. We are all born and raised in Southern California and I think it naturally came out while writing and recording Morning Tide. We wanted to convey the feeling of eating the perfect California Burrito with sour cream and guacamole. I think we also wanted to pay homage to Jimmy Buffet.

Anything else you'd like to add?
I just wanted to say how happy we are now that Morning Tide has been released here in the U.S. We are very proud of our record and we hope people will take a chance to listen.

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Tuesday, October 21, 2008Video from our Food Columnist

Ladies & Gentlemen,

If you've had a chance to check out our latest issue, you probably read about a bizarre wine from Slovenia that our food columnist, Max Goldblatt, wrote about. Evidently, in order to taste its subtleties you're supposed to chill it upside down and disgorge it moments before consuption-under water. Behold the video of Max doing just that:


PS. Check out Max's blog:
http://tothemaxxx.tumblr.com/

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